SPOTLIGHT: AMELIA MOORE
Photo By Ashley Osborn @ashleyosborn
Meet Amelia Moore and tune into her newest EP “he’s still just not that into you!”
On her new EP he’s still just not that into you!, Amelia Moore is detonating breakup heartache, and transforming that disaster into dancefloor bangers. Released on May 9th, 2025, the seven track splayed project is a hyper-emotional, genre-skipping follow up to her 2023 debut mixtape, he’s just not that into you!, and quite possibly her most daring piece yet.
Moore, a native Georgian and current LA-based pop experimenter, has never had much regard for the lines. From worship leader to alt-pop firestarter, she has created a world where R&B textures meet 80s synth polish, messy confessional songwriting, and everything in between.
The project starts with the title song: a glitchy, glitter-soaked reality check for anyone holding onto a shred of hope that “maybe he’s just busy” — spoiler alert: he’s not! After the first track, Moore unleashes true chaos, revealing all of her cards in a perfect mania.
“fuck, marry, kill” was the first single and her debut with Republic Records - and the launch point. The euphoric breakdown aspect and emotional whiplash made it an instant scream-along for Moore’s growing base of dedicated fans (lovingly named the “the girlies”). The moment it came out marked a moment: louder, weirder and completely unapologetic.
She maintains the pace on “spelling bee”, a flirty duet-based synth song with Teezo Touchdown, who is a genre bender in his own right. It reads chaotic in the best way imaginable, spelling out the attraction with a wink and a smirk. Moore called the track "really special," saying it was one of her first times working with pop writing legend Julia Michaels: "I was thinking we would be writing something super vulnerable and emotional," she said, "and then Spelling Bee is literally just about being horny as hell."
The emotional ambitions of the EP peak on the track "that's all they really want" in which Moore turns Cyndi Lauper's girl-power classic into a soft, aching ballad about ghosting, loneliness, and longing. It's all mascara-smudged vulnerability, a nod to the fact that even when Moore is spending much of her time in parodying pop tropes, her heart is apparently never that far below the surface. '
Photo By Ashley Osborn @ashleyosborn
Songs like "underwater" and "see through it" showcase her ability to navigate sonic extremes. "underwater" is the moody, slow-burning fantasy of daydreaming about drowning (or not) someone in a swirl of synth and reverb, while "see through it" leans more in sultry R&B territory.
The closing track "emily" is a time capsule of heartbreak: lo-fi guitar, warped cassette effects, and one last gut-punch line — "We really don't call each other anymore, and it's crazy 'cause you used to call me yours." It feels like you're reading someone's Notes app at 2:00 a.m., just the right amount of glitchy intimacy with a tender sting.
Moore will celebrate the EP with shows at The Echo in Los Angeles, Baby's All Right in New York, and a London date at Camden Assembly on June 5. With “he's still just not that into you!,” she is not asking for closure, but instead is too busy taking their heartbreak and morphing it into the sounds that resemble the most exciting frontier in pop.
Listen to “he’s still just not that into you!” here.
